the degree of the quality and the amount of the quantity of love and

                             life at any given moment

 

      there are five easily defined conjugate positions of love/life

           in terms of greatest quality and quantity they are...

                                                                  lin-len          

                                                                  lov-len         

                                                                  lov-lee           

                                                                  li-len          

                                                                  life-death     

the variables within each of the five categories decrease as we go

down the list

lin-len contains endless variables

as a rough guide...

lov-len has 1 ^100 x 365 x 24 x 60 x 60 x 1 ^43 variables

lov-lee has 1 ^11 x 365 x 24 x 60 x 60 x 1 ^43 variables

li-len has 18.7 ^9 x 365 x 24 x 60 x 60 x 1 ^43 variables

life-death has 13.7 ^ 9 x 365 x 24 x 60 x 60 x 1 ^ 43 variables

there can be a change in position for only one person or for any

number up to and including the whole

the difference between one position and another can be a new

feeling in a relationship or a new understanding or an act of

cooperation or an act of selfishness

of the five conjugates one is known as life/death

the conjugate of life/death is the conjugate position love/life

currently occupies

both love/life and life/death are in evidence with a gradual increase

of love/life taking place

a person within the conjugate of love/life always has the option to

occupy another conjugate that has greater freedom of movement

and feelings

a person who chooses to occupy the conjugate of life/death does not

have that option

each different conjugate position is defined by a marked increase in

love and life or by a decrease of love and life

to make them easier to write and say and to give them an endearing

quality they have been abbreviated

.          .       .    .        .       .     .      .      .     .      .      .    .     .      .     .    .      .     .     .     .     .